(Los Angeles) I just drove by Hollywood Blvd. It’s a mess down there, as final preparations are underway for Oscar’s big night – his 88th. I don’t make Oscar predictions – wrote about why last year in case you care to read. But that doesn’t mean I don’t enjoy the spectacle. I just enjoy it more when I’m not worried about keeping up with a ballot.
Still, I’m not unsympathetic toward you Academy Award® handicappers out there. If you still have a ballot to complete, check out my friend Chris Selby’s thoughtful analysis on his blog, Captions. And the Arkansas Democrat Gazette’s Philip Martin always curates an interesting group of lists from his cinephile friends far and wide. Here are their picks published in today’s Style section. (It’ll always be Movie Style to me.)
Forget everything you just read for a moment. The only lock I see this year is Sylvester Stallone for best supporting actor. And I think it’s well deserved. Has any actor played a single role longer and with greater affection for the character than Stallone has for Rocky? The symmetry of his breakthrough performance 40 years ago and his bittersweet performance in CREED are the stuff that Oscar dreams are made of. Good for him. He’s hit all the right notes in the campaign and I for one am buying what he’s selling.
I was sure that Sir Ian McKellan was going to be nominated for MR. HOLMES this year. Beautiful film. Wonderful performance. Alas, it was not to be.
And speaking of #OscarsSoWhite, I don’t have much to say on the subject here but I do highly recommend THR’s Senior Editor Marc Bernardin‘s compelling article on why black movies have to be about MLK and white movies can be about a woman who invented a mop. Check it out here.
Featured Image: a casting for Oscar by artist Alex Israel. He made a sculpture of the cast because it’s illegal to make a copy of the statue. Clever boy. I snapped this at Thursday night at the Oscar Week Opening of a show by Alex Israel and Bret Easton Ellis at the Gagosain Gallery (Beverly Hills)